Interview
with Chris Weber
November, 2004
MetalShrine
By Niclas Müller-Hansen
The small record label Cleopatra Records recently released
the album "Hollywood Rose". Five songs from an old demo tape with the band that
later changed to the worldwide famous band, Guns N' Roses.
Axl Rose, Slash and Duff tried stopping the release, but the label won the round in court.
We called up Chris Weber, guitarist in Hollywood Rose, and talked a bit about the good old
times and about how everything started. Unfortunately it came to our knowlege a little
while ago that Chris suffer from a brain tumor and soon will be operated.
So, how are things in LA these days?
Itīs pretty much the same as always! The sunīs been out, thereīs a fire across the
street. Pretty normal stuff.
Whatīs the story of Chris? Did you grow up in LA or...?
Iīm originally from where I live right now. Iīm from West Hollywood, California! Went to
all the West Hollywood high schools that everybody reads about when theyīre connected
with the guys in Guns`n`Roses. Fairfax High, Hollywood High and Iīve been here through my
whole life until I moved to England for six years. Returned in the mid nineties and got a
new record deal and been here since.
What were those early days like? When did you pick up the guitar?
I actually got a guitar when I was nine and was tutored by some friends that my parents
had in the music business. One worked with The Doobie Brothers and he showed me a little
bit and taught me the first couple of chords. I plugged along and then when I was sixteen
I formed the band Hollywood Rose.
Was that your first band?
It was the first band of any real substance. There was a garage band thet I put together,
just learning how to write songs and work with other musicians. You just wanna play with
other people and explore your musical taste, so I had one of those bands. But my first
real gigging band was when I was sixteen and Hollywood Rose.
Itīs a long time ago!
(laughs)Yeah, it is a long time ago. I canīt believe it!
Was it just you and Tracii Guns first or...?
He didnīt have anything to do with it! Tracii ended up playing in that band for six
months or so and it was well after I left.
So how did it all start? Was it you meeting Izzy Stradlin and Axl Rose or..?
Well, Tracii didnīt play but he was a friend of mine and he introduced me to Izzy. I met
him one night in...fuck I canīt even remember...1983 I think. We met at the Rainbow Bar
and Grill. Tracii was in a band and I always told him that if you find any musicians who
wants to be in a band, let me know! Weīd put together something and play around
Hollywood. I had already been going to the club scene by then, dressing up and going to
see all the bands like Ratt, Motley Crue and WASP. So he found this guitar player who was
Izzy and he introduced me to him one night and right away he said: "Letīs put a band
together!" and I was like: "Cool!" The next day he said: "Iīve got
this friend that just flew in from Indiana", and that was Axl, but he said his name
was Bill. So we went to Hollywood, some apartment in the middle of Hollywood and I met him
and then we started the band. It was like: "You wanna be the singer?" and he
just said: "Yeah, ok!". It was that easy!
Was he named Axl back then or...?
No, he was named Bill!
So, it was the three of you and who else?
We did all the song writing and put together a whole set before we even looked for anybody
else. Then we had an opportunity to go into a studio and record some stuff, because we
wanted to find musicians and to find shows around town you needed a tape. The infamous
demo tape! My family gave me some money and we booked some time and then we needed to find
a drummer, because we had just been working off a drum machine. Thereīs a couple of
papers here and one is The Recycler and one is Music Connection. And from one of those
two, I think it was The Recycler, we found Johnny. Just a drummer and I donīt think he
even rehearsed. He basically came in and we told him where the studio was and he showed up
that day. We played for twenty minutes and showed him the songs and he put down the
tracks. And then me and Izzy just traded off playing bass.
But did Tracii play on any of those demos?
Not those demos at that time! He wasnīt involved in Hollywood Rose until much later.
Hollywood Rose started out as a band called AXL. And that was me, Izzy and Axl. Then the
drummer and bass player came along afterwards. Then we changed the name of the band to
Rose and then it became Hollywood Rose. That band stayed intact with me, Axl and Izzy and
then the bass player and drummer. The bass player was never part of the band. He was just
part of it when we were playing live. So it was just basically us three. Three leaders and
then we had these other guys plying and Johnny was consitently our drummer. Then some time
after that...I mean after I left, Tracii did join the band for a short period of time but
I really donīt know Traciiīs story. He came after I left!
Who came up with the idea for the name of the band? I guess AXL was Axl?
Axl called the name of the band AXL and then slowley but surely he wanted to take on that
name for himself. So he took that name, but I never called him Axl. He was always Bill
when I was in the band. Then he reinvented himself. AXL was the original name. After maybe
2 or 3 shows, the name was changed to Rose. Axl Rose (then Bill) had some sort of fall out
with Izzy and I and to continue playing as a band , Izzy said we were to change our name
to Rose, and we did. The word Hollywood was added when I stumbled upon the name Rose being
used by another band. I think they were on the East coast, maybe New York. This was
towards the end. It was always the same band, except for the bass player change mid-way.
The name of the band (GunsīnīRoses) came because at one point we broke up after a show
and Axl joined Traciiīs band LA Guns. So Axl sang with LA Guns for a little while and I
think he did some recordings. Then when he came back, when they merged, and this was after
I left because I was in Hollywood Rose, they just put the two names together and thatīs
when Tracii took the spot that I left open. Then Slash joined and then I played another
show actually. I played a final show about six months after I left the band. By that time
it was...you have to get an exact timeline to figure out what was what.
Do you look back thinking that if you had stayed in the band you might have wound up in
GunsīnīRoses?
I mean, I was a song writer and one of the principal musicians in the song writing team in
Hollywood Rose. It would have sounded as if I was playing so whatever it was it was just
the perfect thing for them at the perfect time. So to answer your question, no I never
really felt like that. In hindsight it would have been a different band.
Sure! And looking back, what was Axl and Izzy like back then? You read in the press how
strange Axl is and was he anything like that back then?
He was really different. He thinks of himself a lot and heīs very ego motivated. He has
an idea of what he wants and goes out and gets it. Not a lot of time spent selfishly
helping other people. I donīt see him donating blood or that type of thing. Heīs got an
idea of what he wants in life and he gets it. He was actually a friend of mine and all
that stuff that has happened since clearly has changed him. Certainly the person I knew
when I was friends with him wouldnīt be considered all these names that people call him.
I obviously got out of it at a certain point and since I parted ways with him heīs
changed, which is good because I remember the good sides. He was just like the coolest guy
that ever walked the planet. He was the apitamy of cool and the style he generated and he
had an air about him that almost everybody thought was really charismatic.
Of course! Have you ever after all this, met them or talked to them since the Hollywood
Rose days?
Yeah! I actually remained friends with them after the band broke up and Slash was playing
with them. I would go to the shows and I was in another band. They hadnīt become world
famous yet. This is still back in the 80īs and weīre talking a long time ago. Since then
not so much. I had some things that I had to sort out with royalties and records
that...brings me in connection with them. But basically theyīve got their own lives and
theyīre adults now and well into their forties. And I was five years younger than them.
Putting out this demo, is that a demo that you have kept or did someone else...?
Itīs mine!
So, was it your idea to release it?
About five years ago when I came back to Los Angeles I wanted to do something with it. No
point keeping something under your bed if itīs interesting. So I got some interests from
some places and then I really didnīt do anything. Then my band took off and I went on
tour and I was doing records. When things slowed down at the end of last year, for some
reason, Vicky Hamilton who was GunsīnīRoses manager back then and Iīve known here for
twenty years, she said that there was this record company called Cleopatra Records and
that they might be interested in releasing it. She asked them and they thought it was a
great idea. So they offered to buy it and do a deal.
Who came up with the idea of doing remixes with Gilby Clarke and Fred Coury?
Not me! I went in actually because I didnīt have versions that at the time that were
represantive of what the tapes were. The best verions were on cassette tapes. I had the
master recording so I went in and remixed them pretty much exactly as we did when we mixed
them in 1983. But I had to remix them myself as well, because it really wasnīt anything
you could put on a cd. I didnīt do anything special to them, so theyīre pretty much true
to what you wouldīve heard if it was put on your desk back then. I like some of the
remixes and some add something to it.
Do you have more stuff laying around? More songs?
Thereīs no more of this and in this format. No more high quality sixteen track masters
laying around. I do have some songs on video and other stuff, but I really donī have an
intent of doing anything with it.
What were those days like? I was a young teenager back then and Motley Crue became my
KISS, because I was too young to experience KISS in their heydays. And then the entire LA
scene were my heroes and you were in the middle of it.
What happened was that because there was so much music happening here, there were a lot of
venues and they were in all sorts of places. There were places to play in the Valley but
then in Hollywood just off Sunset Boulevard there were a number of places. What you would
do when you go out in the evening, you go to one place and see a band and then you move on
to the next one that was really close. It was like bar hopping! But there were numerous
bands in every place so you would go down to The Trobadour and then up to The Whiskey and
then The Roxy. It was great and people went out just to go out. Not even to go to a club,
but to hang out at the Rainbow parking lot.
What was the first major band that you saw live?
I saw Ratt before they made it and I saw WASP and...I mean...theyīre not the biggest band
in the world, but still. Motley Crue was around. You could go see them in a club and later
in the early nineties you had Warrant and those bands, but it was the same idea. A bunch
of showa and a lot of girls hanging around. Thatīs just what you did at night. Now itīs
not like that. Now you have to make a special trip to go see some band and afterwards
everybody leaves. Back then youīd get all dressed up and you could show up at a club and
not even know who was playing, but you spent two hours getting ready.
Whatīs the Hollywood scene like today. I know thereīs different music and all that,
but is it still alive and are there still a lot of bands playing?
Thereīs a lot of bands, but the thing is that itīs so easy to have your music heard and
itīs easier to get smaller record deals now. Back then it was just major labels and you
didnīt get those deals. A lot of people are realesing cdīs on smaller labels. There are
a lot more bands that have high quality stuff to put out. Itīs a bit overwhelming because
you donīt know who to follow. Itīs not like there are these super great bands from Los
Angeles that are very unique. Or unique...but thereīs so many of them that it takes away
a bit of that specialness. Itīs not like you go: "Hey, weīre gonna go see Motley
Crue!" "Oh, whoīs Motley Crue?" "I hear they do this!" "Ok,
letīs go!". Right now thereīs just a lack of originality.
Would you say the music was better back then?
For the time it was. You have to take into context. Put in in context, yeah, I think it
was definitely better!
Back to Hollywood Rose again! Who wrote the songs? Were you the main writer of the
songs or...?
Of the music? Yeah! I would say primarily, looking back on the songs, seventyfive percent
of them I came up with the original idea for them and Izzy would put his part over the top
and then weīd give it to Axl and he wrote all the lyrics.
So, he wrote all the lyrics?
Yeah! I just did the music.
Did Axl play any instruments back then?
Axl never played any instruments on stage, but he wrote on my baby grand piano whenever he
could. Probably the beginning of "November Rain".
Cool! What were your influences back then? When I listen to the songs I can hear a lot
of...and I donīt even know if you listened to this stuff, but there was alot of NWOBHM in
there. Not the same kind of stuff the rest of the LA bands played. There are some punk
elements as well.
Well, the punk element might have come in because Izzy was part of that scene. The bands
that I grew up listening to were Led Zeppelin, Aerosmith and stuff like that. So youīll
notice that the guitar riffs sound a lot like that. I also listened to Judas Priest and
Iron Maiden. But I was really into Aerosmith and Zeppelin and I think those guitar riffs
are the primary starting point. Especially on a song like "Anything goes" off of
"Appetite for destruction"! The guitar riff is like something that I would think
would be right off something like "Rocks" or one of those early Aerosmith
records. And then you know, weīd give the music to Axl and he would write lyrics to it
and then itīd be a finished song.
Were all you guys, except for Axl and Izzy since they just moved there, but were you
all in school at that time?
Well, at sixteen when I was in the band, I took a test to get out of high school. After
the band finished I ended going to college after that. But they were well past that age.
They were well into their twenties back then and I think both graduated high school and
then left Indiana.
How long had they been in LA when you met them?
I think Izzy had been in LA for about a year and I think Axl had just come within that
week or something. Yeah, he was pretty new to us.
And he just moved there himself...?
Well, he knew that Izzy lived there. He moved to be near him and start a band.
And then you guys moved to a house that your parents owned?
Yeah! Well, they were living in their own place and as the band went on and we rehearsed
all the time it helped to be in one place and my parents had a big house and we moved in.
It mustīve been a lot of fun?
Yeah, we had a great time! Nobody wasnīt really drinking or doing drugs or anything. It
was just about getting into the idea that the music scene was more intoxicating than any
drug or alcohol. We spent alot of more time getting ready and know what we looked like.
Hair everywhere and make up. It took two hours to do and if you were drunk you couldnīt
put that together. And then there was a lot of hours working for the band. Putting out
flyers and doing promotion at night between two oīclock and three oīclock in the morning
when the bars let out. You would stand in front of a bar: "Weīre playing next
week!" blah blah!
Do you remember the first show you played or where it was? And what other places in LA
did you play?
Yeah, we played at a place called The Orphanage in North Hollywood. It was a small bar and
I think there were three people there (laughs). And that includes the bartender! We also
played the Trobadour a couple of times. We also played both the Madam Wongs venues, east
and west. Those are not around anymore and neither is the Music Machine which was one of
the last gigs. The very last show was at Dancing Water. Itīs not there anymore but a
great, huge venue that also boasted a full size waterfall behind the band on stage.
What was that first gig like? Even with only three people it mustīve been a real cool
thing?
By that point there were five of us. We had a drummer. Itīs like when you really wanna do
something but youīre gonna be scared, so you just do it. Like in an aeroplane with a
parachute: "Ok, Iīm on and Iīm doing it!". For some people it works and they
say that they gotta do it again and some people say "Itīs just not my thing!"
For me it was like "I gotta do this again!".
Do you have any idea of how many shows you played all together, when you were in the
band and could you name some of the songs you played live?
I believe like somewhere between fifteen and twenty shows! Song titles live were:
"Killing Time", "Shadow of your love", "Hollywood Girls",
"Anything Goes" , "Beat on my Head", "Back off Bitch",
"International Boys", "That Something, Rocker", "Cold Hard
Cash" and "Rock and Roll Rose".
Have you stayed in touch with any of the other guys in Hollywood Rose?
I contacted Johnny just before the release of the Hollywood Rose album and sent him a
copy. He's still playing and is still a nice guy. He came to a UPO gig at the Whiskey and
we caught up a bit. Andre Troxx , one of our bass players, passed away recently. I'm going
to miss him, he was a good friend. Rick Marz contacted me about a year ago. He still lives
in town, but I don't know if he is playing.We didn't keep in touch.
Cool! So to round things up, whatīs in the future now for you?
Well, UPOīs got a great record thatīs in all the shops, so weīre promoting that. And we
just came off an east coast tour. Itīs difficult now because a lot of the record
companies are fighting all this down loading and piracy, so thereīs not a lot of money
for support anymore. So to get a band on the road you need to go really low budget like
getting in the back of a cargo van or you need to set it up really specifically, so you
have some. Guarantees. Bandīs have a hard time just going out and supporting themselves
when thereīs so little money out there and people are not going to clubs as much as they
used to because the ticket prices are so much and because thereīs more to do now
basically, with video games and so on. Itīs hard and itīs just constantly trying to do
it which ever way we can. Iīve been doing it for all my life and I need to do it, even if
they donīt pay me. So UPO will just keep going on and keep looking for opportunities.
Maybe some more of this Hollywood Rose stuff will come out in the future, if I have any
more. Itīs kind of fun just to watch it!
Well, I saw some sales figures for it and last time I checked on Soundscan it had sold
like ten thousand copies. Thatīs really good!
Yeah, itīs more than that, but it is really good! Iīm hoping that it continues to sell
because itīs one of those things that isnīt just going to be a flash in the pan,
because...God...they broke up basically eight years ago. So if this thingīs selling it
will just continue to sell over the years. New people will get turned on to GunsīnīRoses
and they will be turned on to this and theyīll buy it. So hopefully itīll stick around
for ten years or as long as they keep selling records. Little bit by little bit!
What do you think of "Chinese democracy"?
Iīve heard it and I donīt like it!
Youīve heard it?
Iīve heard some of the songs that he promotes as being "Chinese democracy" and
the songs that he did on MTV. Some of the tracks Iīve listend to on the web and they
sound like him. I know his voice, but I donīt like it!
Do you think itīll come out?
I think itīll come out eventually! Hopefully heīll pick songs that are the best of the
lot. But what Iīve heard so far doesnīt sound nearly as good as the worst song on
"Appetite for destruction". But you know, maybe thatīs why he hasnīt released
it? Maybe heīs just waiting until he has all the good ones together. So weīll see!
Well, I wish you all the best and I hope you and your band makes it over to Scandinavia
some time! Good luck with everything!
Thanks Niclas! You too! |